![]() Instead the group, which includes Watt, complements Vedder’s voice in ways that only Pearl Jam has previously done. As with Osbourne’s album, Watt assembled a core band for Earthling to help Vedder write the songs, and even though the ensemble features former Red Hot Chili Peppers guitarist Josh Klinghoffer and perennial Chili drummer Chad Smith, the results sound nothing like those two musicians’ other band. It’s his most revealing solo release, since, musically, it feels more like the Vedder we’ve known for 30 years and not a purposeful departure from Pearl Jam.įor the project, he teamed with Andrew Watt, a jack-of-all-trades producer who has proven equally deft at fashioning pop (Miley Cyrus), rap (Post Malone), and rock (Ozzy Osbourne’s surprisingly fun 2020 comeback, Ordinary Man), all while maintaining each artist’s uniqueness. On his latest solo outing, Earthling, Vedder unapologetically backspaces onto Pearl Jam’s turf with 13 tracks that recall both the band’s punk energy and its mainstream-rock aspirations in a way that feels distinctively Vedderish. You could tell he was doing his best to tiptoe around the loud rock that defines his main gig. No matter how sparse a song sounded, Vedder’s voice resounded in ways that recalled Pearl Jam. Whenever he has ventured into the wilds of a solo career, he has done so in the least Pearl Jam-y ways possible, whether it was the folkie mandolin musings of “Rise” or the beach-fire serenades of Ukulele Songs. Since the beginnings of Pearl Jam, he has flexed his warm baritone with an intensity or a sensitivity that perfectly matched his fellow musicians’ loose fury and anxious jamming Vedder’s voice depends on Pearl Jam’s music, and their songs demand his voice. Eddie Vedder has always seemed like a singer inextricably bound to his band.
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